Writing a novel out of order, not chronologically is OK
At
a talk I was asked an interesting question - do I always write chronologically or do I jump about?
My answer was in the main I try to write the first draft from
beginning to end but it doesn't always work out that way, primarily
because I do not have a complete plot line mapped out before I start
writing. Usually I only have the first three chapters plotted and some
of the character profiles drawn up. As I begin the creative writing
process I find that there comes a point when I might jump from writing
chapter seven or ten to chapter eighteen or twenty... or the ending.
I start at chapter one and crack on with the first draft, as I
said above having very little idea at that stage where I am going and no
idea who done it, why and how. I plot as I write allowing the
characters to spring up, form, develop and spark more ideas. That isn’t
to say I start with a completely blank sheet. I have a location and
usually a victim, not necessarily a dead one, it could be a missing one.
I have my regular cast of characters in the DI Andy Horton crime novels, the Art Marvik mystery thrillers and the 1950s set mysteries with Scotland Yard detective, Inspector Alun Ryga, and war photographer, Eva Paisely. Alongside all these guys I have a smattering of new characters for each new novel, whose personalities and motivations need to be developed and layered up as I write. Sometimes those who I believe will be main characters fall by the wayside, some who I have given just walk on parts suddenly become a great deal more interesting and move up the ranks.
I
have a plot line or story board that I add to, erase, and alter as I
write. All is going in sequence... that is until I get to about chapter
ten or possibly even later. By then I’ve begun to work out who did it
and why and I am impatient to get to the end to see if my theories will
work. This is when I start jumping about.
I
might write the last chapter (usually chapter twenty five which
invariably gets altered in the revisions). Then I might write chapter
twenty and go back and write chapter eighteen of seventeen. I might
just write without any real chapter breaks, although that is rare. Once
I’ve sussed out the who, why, when, where and how – of usually more
than one murder – I can then go back to
the beginning and put in the plot and clues!
It’s
messy but it’s binding to quote another "great” only this time an
actor, Bob Hope although at the time he was swearing "on a mess of
black-eyed peas and candied yams”. (The Lemon Drop Kid). Me? I’ll stick
to coffee and rock cakes, oh, and the more than occasional glass of
white wine, which, by the way, helps the plot enormously.
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