An especially good series hero with real problems is the key to creating a good crime novel
DI Andy Horton in my marine mystery police procedural crime novels has been described as 'an especially good series hero, a likable fellow with plenty of street smarts and the requisite personal baggage - an abrasive supervisor (DCI Lorraine Bliss) and an antagonistic soon to be ex wife.' Booklist (USA). Heroes in detective novels usually have their own set of problems and the key to producing a successful crime novel is not necessarily that the hero saves the world, aka James Bond, although I like a crime novel where the hero gets his guy, but that he also learns something about him or herself by the end of the novel. At the Bouchercon 2011 crime fiction convention in St Louis last weekend, crime authors agreed that they like to create ordinary people as heroes with real problems and that they write the stories they’d like to read, knowing that it will inevitably strike a chord with readers. That has always been true for me. I write the sort of crime and thriller ...